Theatres of Great Britain (Royal National Theatre) (Royal National Theatre)

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Theatres of Great Britain (Royal National Theatre) (Royal National Theatre)

The Royal National Theatre, located on the South Bank in the London Borough of Lambeth, England. is immediately east of the southern end of Waterloo Bridge. The National Theatre's building was designed by architect Sir Denys Lasdun and its theatres opened individually between 1976 and The Royal National Theatre, located on the South Bank in the London Borough of Lambeth, England. is immediately east of the southern end of Waterloo Bridge. The National Theatre's building was designed by architect Sir Denys Lasdun and its theatres opened individually between 1976 and 1977.Denys LasdunDenys Lasdun

The National Theatre building houses three separate auditoria: The National Theatre building houses three separate auditoria: The Olivier Theatre (named after the theatre's first artistic director, Laurence Olivier), the largest space, is the main auditorium, and was modelled on the ancient Greek theatre at Epidaurus; it has an open stage and a fan-shaped audience seating area for about 1,160 people. It houses the Drum Revolve, a unique piece of stage technology which goes 8 m under the stage. The Drum has two rim revolves and two platforms which can take 10 tonnes, facilitating dramatic and fluid scenery changes. The Olivier Theatre (named after the theatre's first artistic director, Laurence Olivier), the largest space, is the main auditorium, and was modelled on the ancient Greek theatre at Epidaurus; it has an open stage and a fan-shaped audience seating area for about 1,160 people. It houses the Drum Revolve, a unique piece of stage technology which goes 8 m under the stage. The Drum has two rim revolves and two platforms which can take 10 tonnes, facilitating dramatic and fluid scenery changes. Laurence Olivierancient Greek Laurence Olivierancient Greek The Lyttelton Theatre (named after Oliver Lyttelton, the first chairman of the National Theatre Board) has a proscenium arch design and holds up to 890 people. The Lyttelton Theatre (named after Oliver Lyttelton, the first chairman of the National Theatre Board) has a proscenium arch design and holds up to 890 people. The Cottesloe Theatre (named after Lord Cottesloe, chairman of the South Bank Theatre Board) is a small adaptable studio space, designed by Iain Mackintosh, holding up to 400 people, depending on the seating configuration. The Cottesloe Theatre (named after Lord Cottesloe, chairman of the South Bank Theatre Board) is a small adaptable studio space, designed by Iain Mackintosh, holding up to 400 people, depending on the seating configuration.

The National Theatre's foyers are open to the public, with a large theatrical bookshop, restaurants, bars and exhibition spaces. Backstage tours run throughout the day, and there is live music every day in the foyer before performances. The National Theatre's foyers are open to the public, with a large theatrical bookshop, restaurants, bars and exhibition spaces. Backstage tours run throughout the day, and there is live music every day in the foyer before performances. The National also has a Studio, the National's research and development wing, founded in The Studio has played a vital role in developing work for the National's stages and throughout British theatre. Writers, actors and practitioners of all kinds can explore, experiment and devise new work there, free from the pressure of public performance. The National also has a Studio, the National's research and development wing, founded in The Studio has played a vital role in developing work for the National's stages and throughout British theatre. Writers, actors and practitioners of all kinds can explore, experiment and devise new work there, free from the pressure of public performance.

In September 2007, a statue of Sir Laurence Olivier as Hamlet was unveiled outside the building, to mark the centenary of the National's first artistic director. In September 2007, a statue of Sir Laurence Olivier as Hamlet was unveiled outside the building, to mark the centenary of the National's first artistic director.