МЕТОД УЧЕБНЫХ ПРОЕКТОВ КАК СРЕДСТВО АКТИВИЗАЦИИ УЧЕБНОЙ ДЕЯТЕЛЬНОСТИ НА УРОКАХ АНГЛИЙСКОГО ЯЗЫКА Учитель английского языка МОУ СОШ 288 Самсонова Наталья Владимировна

Определение понятия Метод проектов – система обучения, при которой учащиеся приобретают знания в процессе планирования и выполнения постоянно усложняющихся практических заданий – проектов.

Главная особенность Главная особенность метода – обучение на активной основе, через целесообразную деятельность ученика, соответствующую его личным интересам. Основоположник – Джон Дьюи ( США )

Метод проектов в России 1905 – начало проектных технологий под руководством С. Т. Шацкого 20- е годы – внедрение « комплексного метода », серия ошибок и перегибов год – запрет на применение метода проектов 90- е годы XX века – возрастание интереса, становится неотъемлемой частью концепции модернизации российского образования.

Достоинства проектной деятельности Развивает способности · к осмыслению своей деятельности с позиций ценностного подхода ; · к целеполаганию ; · к самообразованию и самоорганизации ; · к синтезированию, интеграции и обобщению информации из разных источников ; · к творчеству · делать выбор и принимать решения.

Этапы работы над учебным проектом Проблема проекта Почему?Актуальность проблемы Цель проекта Зачем?Целеполаган ие Задачи проекта Что?Постановка задач Методы и способы Как?Планировани е Результат Что получится? Ожидаемый результат

Виды проектов на уроках английского языка Индивидуальный письменный Коллективный ( или парный ) письменный Коллективный ( или парный ) устный

Формы индивидуального и коллективного ( письменного проектов ) проектов Описание ( дома, школы будущего. достопримечательности и т. д.) Рассказ ( сказка, детектив ) Рецензия на книгу Мини - исследование об истории вещей Сценарий к фильму Коллаж из нескольких текстов на заданную тему и др. Компьютерная презентация Художественный перевод стихотворения

Проект на уроке ( индивидуальный )

Парный проект ( 8 класс )

Проект на уроке ( коллективный )

Our class in the holidays

Компьютерная презентация (5 класс )

Happy eggs

Take two eggs and oil.

Pour out oil

Break one egg

Break two eggs

Sprinkle salt

Enjoy your eggs

Компьютерная презентация 8 класс Tsarskoye Selo by Klementyeva Polina 8-B

For nearly 200 years Tzarskoje Selo had been a summer residence of the Russian Royal Family. Many of the significant state affairs were conducted here. The magnificence of its fronts, interieur, pavilions and parks putsTzarskoje Selo into the rank of the world's largest museums. The real gem of the Catherine palace, the Amber room, is considered the eighth wonder of the world.

EMPEROR PETR I Petr I Alexeevich ( ) - Tsar from 1682, Emperor from EMPRESS CATHERINE I Catherine I Alexeevna ( ) - Empress from 1725 EMPEROR PETR II Petr II Alexeevich ( ) - Emperor from EMPRESS ANNA IVANOVNA Anna Ivanovna ( ) - Empress from EMPEROR IVAN VI Ivan VI Antonovich ( ) - Emperor from 1740 to EMPRESS ELIZABETH I Elizabeth Petrovna ( ) - Empress from 1741 EMPEROR PETR III Petr III Fyodorovich ( ) - Emperor from 1761 to 1762 EMPRESS CATHERINE II Catherine II Alexeevna ( ) - Empress from 1762.

EMPEROR PAUL I Paul I Petrovich ( ) - Emperor from EMPEROR ALEXANDER I Alexander I Pavlovich ( ) - Emperor from 1801 EMPEROR NICHOLAS I Nicholas I Pavlovich ( ) - Emperor from EMPEROR ALEXANDER II Alexander II Nikolaevich ( ) - Emperor from EMPEROR ALEXANDER III Alexander III Alexandrovich ( ) - Emperor from EMPEROR Nicholas II Nicholas II Alexandrovich ( ) - last Russian emperor, ruled from 1894 to 1917

1Main StaircaseMain Staircase 2First Exhibition HallFirst Exhibition Hall 3Second Exhibition HallSecond Exhibition Hall 4Great HallGreat Hall 5Courtiers-in-Attendance Dining RoomCourtiers-in-Attendance Dining Room 6White Formal Dining RoomWhite Formal Dining Room 7Crimson Dining RoomsCrimson Dining Rooms 8Green Dining RoomGreen Dining Room 9Portrait GalleryPortrait Gallery 10Amber RoomAmber Room 11Picture HallPicture Hall 12Small White Dining RoomSmall White Dining Room 13Drawing Room of Alexander IDrawing Room of Alexander I 14BuffetBuffet 15Oval AnteroomOval Anteroom 16Green Dining RoomGreen Dining Room 17Waiters' RoomWaiters' Room 18Blue Formal Dining RoomBlue Formal Dining Room 19Chinese Blue Drawing RoomChinese Blue Drawing Room 20Choir AnteroomChoir Anteroom 21Passageway and Personal ChambersPassageway and Personal Chambers 22BoudoirBoudoir 23Painting StudyPainting Study 24Sculpture StudySculpture Study 25Anteroom to the Iron StaircaseAnteroom to the Iron Staircase 26Vaulted PassagewayVaulted Passageway 27Formal Study of Alexander IFormal Study of Alexander I 28Stasov StaircaseStasov Staircase 29Chapel AnteroomChapel Anteroom 30Palace ChapelPalace Chapel

The exposition in the Catherine Palace Museum (prior to the Great Tzarskoje Selo Palace) encompasses the 250-year history of the famous monument, and acquaints visitors with the work of the architects who participated in its construction and decoration in the 18th and 19th centuries, and also with the current state of this unique landmark, with the work of restorers who managed to bring the palace back to life after World War II. The Tzarskoje Selo and the Orient exposition, located in the former personal quarters not yet restored, continues to be featured at the Catherine Palace Museum.

Between the years 1752 and 1756, during reconstruction of the Catherine Palace, Bartolomeo Francesco Rastrelli placed the Main Staircase at a distance from the entrance gates to the palace in the southern part of the building, topped by a spired dome. Rastrelli's Main Staircase was destroyed at the end of the 18th century during the reign of Catherine II. In its place, Charles Cameron erected a new Main Staircase in the center of the palace, in place of the Chinese Hall created by Bartolomeo Francesco Rastrelli. The staircase occupies the entire height and width of the Catherine Palace and is illuminated from the east and west by windows placed on three levels. The walls boast decorative 18th and 19th century Chinese and Japanese porcelain vases and plates. The windows of the Main Staircase are dressed with crimson draperies.Catherine PalaceBartolomeo Francesco RastrelliRastrelli Catherine IICharles CameronBartolomeo Francesco RastrelliCatherine Palace

The First Exhibition Hall can be reached from the Main Staircase of the Catherine Palace. The exposition in this room acquaints visitors with the main stages in the creation of the Catherine Palace. In the center of the left wall, among antique engravings, can be seen the communique from P. Apraxin to Emperor Peter I dated August 24, 1702, in which Sarskaya myza, which would later become Tzarskoje Selo, is mentioned for the first time. Hanging next to this is the drawing "Sixteen Stone Chambers" depicting the first Tzarskoje Selo palace, designed by Johann Friedrich Braunstein. Main StaircaseCatherine Palace Peter I The Second Exhibition Hall The Second Exhibition Hall is located next to the First Exhibition Hall. The exposition in this room tells of the tragic events connected with the years of World War II in Tzarskoje Selo. It also covers the evacuation of the museum's treasures from the Catherine and Alexander Palaces organized by the Soviet government, during which approximately 70,000 objects were rescued

The Great Hall, or the Light Gallery, as it was called in the 18th century, is a formal apartment in the Russian baroque style designed by the architect Bartolomeo Francesco Rastrelli between 1752 and The Great Hall was intended for more significant receptions and celebrations, including formal dinners, balls and masquerades. The hall is painted in two colors, with an area of approximately 1,000 square meters, and occupies the entire width of the palace. The windows on the eastern side look out onto the park, and on the western side, onto the palace square. In the summer, the hall is penetrated by sunlight which plays on the gilding throughout the day, and in the evening 696 lamps are lit on chandeliers located near the mirrors, which made the impression of the hall more effective.Bartolomeo Francesco Rastrelli

If the Amber Room had not disappeared during World War II, we would celebrate its tercentenary in Prussian kings and Russian emperors, architects and artists, leaders of the Third Reich and Soviet leaders, Maecenases and businessmen, treasure hunters and outstanding scientists, not to mention craftsmen, were involved in the history of the "Eighth Wonder of the World". Today, the theme of reconstruction of the Amber Room is of primary importance. Preserved photographs and archives help the roughly 40 art experts to fashion the barely palm-sized thin amber pieces so that they match the original in shape in colour and to carve fine ornaments, thus recreating the legendary work of art like a huge puzzle from over half a million pieces of amber. The time approaches when, before our very eyes, we will see a replica which looks very much like original, but is a new work of applied art, worthy of being on display in one of the best palace-museums of the world: the Catherine Palace Tzarskoje Selo.the Catherine Palace Tzarskoje Selo

The Picture Hall is one of the formal rooms in the Catherine Palace, and was designed by Bartolomeo Francesco Rastrelli in the 1750s. This formal hall occupies approximately 180 square meters, and stretches across the width of the palace.Catherine PalaceBartolomeo Francesco Rastrelli During the 18th century, it was frequently used for diplomatic receptions, meals and music concerts. Meetings, or "conferences at the high court," were also held here during the Seven-year war, ( ) and the summer of 1757 saw a triumphant reception to celebrate the delivery of banners and keys to captured Prussian towns.

From the Room Leading to the Iron Staircase (buffet) one passes into the Waiters' Room. This room was one of the service rooms in the Catherine Palace, hence the name. According to plans by Charles Cameron, it was divided by a cross-wise screen into two "foyers," one of which was dark and led to the staircase. The architectural style was of the classical period.Catherine PalaceCharles Cameron The interior of the Waiters' Room suffered greatly during the fire in The interior composition created by the architect Charles Cameron with its double pilasters on the walls and broad frieze with archivolts was reproduced with a few changes by the architect Vasily Stasov. Due to the absenceCharles CameronVasily Stasov оf original drawings of the detail executed by Charles Cameron, the design was modeledCharles after sketches by Vasily Stasov.Vasily Stasov

Проект - ролевая игра Раздел Food ( Еда ) 5 класс

How we cooked salad…

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A sandwich Ship

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