CHAPTER 12 Джейн Эйр впервые встречает мистера Рочестера по дороге в Хей, куда она отправляется по поручению миссис Фэрфакс, чтобы отнести письмо на почту. - презентация

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2 CHAPTER 12 Джейн Эйр впервые встречает мистера Рочестера по дороге в Хей, куда она отправляется по поручению миссис Фэрфакс, чтобы отнести письмо на почту. Мистер Рочестер падает с коня, а Джейн Эйр приходит ему на помощь, не подозревая, что этот всадник – ее работодатель и хозяин дома, в котором она живет.

3 CHAPTER 12 Мистер Рочестер же вспоминает, что искал гувернантку для Адель, и получает возможность узнать Джейн поближе. В данной главе автором использовано обилие стилистических приемов, которые позволяют передать чувства героев при первой встрече, а также эмоции Джейн после нее.

4 EPITHET The ground was hard, the air was still, my road was lonely The ground was hard, the air was still, my road was lonely Pale-beaming sun Pale-beaming sun The rising moon; The rising moon; pale yet as a cloud Blue smoke Blue smoke

5 The new face, too, was like a new picture introduced to the gallery of memory; and it was dissimilar to all the others hanging there… The new face, too, was like a new picture introduced to the gallery of memory; and it was dissimilar to all the others hanging there… I…should have shunned them as one would fire, lightning, or anything else that is bright but antipathetic. I…should have shunned them as one would fire, lightning, or anything else that is bright but antipathetic. …just as much good as it would do a man tired of sitting still in a too easy chair to take a long walk… …just as much good as it would do a man tired of sitting still in a too easy chair to take a long walk… SIMILE

6 …to that sky expanded before me, a blue sea absolved from taint of cloud… …to that sky expanded before me, a blue sea absolved from taint of cloud… Those trembling Those tremblingstars METAPHOR

7 …the moon ascending it in solemn march; her orb seeming to look up as she left the hill-tops, from behind which she had come, far and farther below her, … and for those trembling stars that followed her course… …the moon ascending it in solemn march; her orb seeming to look up as she left the hill-tops, from behind which she had come, far and farther below her, … and for those trembling stars that followed her course… PERSONIFICATION

8 …and both my eyes and spirit seemed drawn from the gloomy house from the grey-hollow filled with rayless cells, as it appeared to me to that sky expanded before me, …and both my eyes and spirit seemed drawn from the gloomy house from the grey-hollow filled with rayless cells, as it appeared to me to that sky expanded before me, a blue sea absolved a blue sea absolved from taint of cloud… ANTITHESIS

9 He passed, and I went on; a few steps, and I turned: a sliding sound and an exclamation … and a clattering tumble… He passed, and I went on; a few steps, and I turned: a sliding sound and an exclamation … and a clattering tumble… I had it still before me when I entered Hay, and slipped the letter into the post-office; I saw it as I walked fast down-hill all the way home… I had it still before me when I entered Hay, and slipped the letter into the post-office; I saw it as I walked fast down-hill all the way home… To pass its threshold was to return to stagnation; to cross the silent hall, to ascend the darksome staircase, to seek my own lonely little room, and then to meet tranquil Mrs. Fairfax, and spend the long winter evening with her, and her only… To pass its threshold was to return to stagnation; to cross the silent hall, to ascend the darksome staircase, to seek my own lonely little room, and then to meet tranquil Mrs. Fairfax, and spend the long winter evening with her, and her only… I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement… I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement… PARALLEL CONSTRUCTION

10 …it was an incident of no moment, no romance, no interest in a sense; yet it marked with change one single hour of a monotonous life… …it was an incident of no moment, no romance, no interest in a sense; yet it marked with change one single hour of a monotonous life… CLIMAX

11 …but had I met those qualities incarnate in masculine shape… I should think you ought to be at home yourself, said he… …and just as natural was the wish to stir Now, said he… …trivial, transitory though the deed was, it was yet an active thing… STYLISTIC INVERSION

12 …all three vanished, like heath that, in the wilderness, the wild wind whirls away. ALLITERATION

13 …and to have been taught by rough and bitter experience to long for the calm amidst which I now repined! Yes, just as much… …and to have been taught by rough and bitter experience to long for the calm amidst which I now repined! Yes, just as much… Indeed! and is Mrs. Fairfax with him? Indeed! and is Mrs. Fairfax with him? Ah! Bring me a candle will you Leah? Ah! Bring me a candle will you Leah? GRAPHICS

14 Описание природы отображает внутреннее состояние Джейн. Использованные стилистические приемы – лексические ( эпитеты, сравнения, метафоры, олицетворение и др.), синтаксические ( параллельные конструкции, инверсия, градация и др.), графические ( использование восклицательных, вопросительных предложений ) – помогают передать эмоциональное состояние главной героини, ее взволнованность произошедшими событиями. Благодаря этим фигурам речи, мы получаем ясную картину всей гаммы переживаний и чувств Джейн. ВЫВОДЫ :

15 Е. Русакова 401 А 2011 ВЫПОЛНИЛА :